The Longing for Myth in Germany
Religion and Aesthetic Culture from Romanticism to Nietzsche
Through readings of key intellectuals ranging from Herder and Schelling to Wagner and Nietzsche, Williamson highlights three crucial factors in the emergence of the German engagement with myth: the tradition of Philhellenist neohumanism, a critique of contemporary aesthetic and public life as dominated by private interests, and a rejection of the Bible by many Protestant scholars as the product of a foreign, "Oriental" culture. According to Williamson, the discourse on myth in Germany remained bound up with problems of Protestant theology and confessional conflict through the nineteenth century and beyond.
A compelling adventure in intellectual history, this study uncovers the foundations of Germany's fascination with myth and its enduring cultural legacy.
1. Theophany and Revolution: The Romantics Turn to Myth
2. The Construction of a National Mythology:
The Romantic and Vormärz Eras
3. Olympus under Siege: Creuzer's Symbolik and The Politics of the Restoration
4. From Scriptual Revelation to Messianic Myth:
The Bible in Vormärz
5. Richard Wagner and Revolutionary Humanism
6. Myth and Monotheism in the Unification Era, 1850-1880