Cloth $80.00 ISBN: 9780226120935 Published December 1991 For sale in North and South America only
Paper $27.00 ISBN: 9781780233796 Will Publish August 2014 For sale in North and South America only

Kazimir Malevich

The Climax of Disclosure

Rainer Crone and David Moos

Rainer Crone and David Moos

237 pages | 58 color plates, 97 halftones | 8-1/2 x 11 | © 1991
Cloth $80.00 ISBN: 9780226120935 Published December 1991 For sale in North and South America only
Paper $27.00 ISBN: 9781780233796 Will Publish August 2014 For sale in North and South America only
Kasimir Malevich's (1878-1935) sudden and startling realization of a nonrepresentational way of painting, which he called Suprematism, stands as a seminal moment in twentieth-century art. Rainer Crone and David Moos trace the artist's development from his beginnings in the Ukraine to his involvement with Futurist circles in Moscow through to the late 1920s and beyond. They convincingly demonstrate that Malevich's late representational painting, still widely misunderstood, solidifies his extraordinarily inventive stance.

Against the historical background of distinctly Russian progressive cultural and scientific movements, the authors define affinities between Malevich's work and other nonpolitical revolutions: relativity and quantum theory in physics; the work of Roman Jakobson and the "Prague School" in linguistics; and the exploration of language in the writings of the poet Velimir Khlebnikov. They situate the artist within the fundamental epistemological shift from nineteenth-century objectivity to an all-pervasive modernist subjectivity, relying upon Malevich's contribution to illustrate the ways cultural production is mediated through various modes of transmission.
Contents
Prologue
Introduction: This Book . . . and the End of Experience
1. The Question of Information
2. Artistic Positions: A Critical Survey
3. Origins of a Painter
4. Cubo-Futurism: Interchanges
5. Passages Through Poetry
6. The Edge of Innovation
7. Subjectivity in Temporality
8. Late Sensations and the New Reality
9. The Free Imaginary Variation
Exhibitions
Notes
Bibliography
Index
For more information, or to order this book, please visit http://www.press.uchicago.edu
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