The Indiscrete Image

Infinitude and Creation of the Human

Thomas A. Carlson

The Indiscrete Image
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Thomas A. Carlson

256 pages | 6 x 9 | © 2008
Cloth $35.00 ISBN: 9780226093154 Published October 2008
E-book $7.00 to $30.00 About E-books ISBN: 9780226093178 Published May 2009
Humanity’s creative capacity has never been more unsettling than it is at our current moment, when it has ushered us into new technological worlds that challenge the very definition of “the human.” Those anxious to safeguard the human against techno-scientific threats often appeal to religious traditions to protect the place and dignity of the human. But how well do we understand both theological tradition and today’s technological culture? In The Indiscrete Image, Thomas A. Carlson challenges our common ideas about both, arguing instead that it may be humanity’s final lack of definition that first enables, and calls for, human creativity and its correlates—including technology, tradition, and their inextricable interplay within religious existence.
Framed in response to Martin Heidegger’s influential account of the relation between technological modernity and theological tradition, The Indiscrete Image builds an understanding of creativity as conditioned by insurmountable unknowing and incalculable possibility through alternative readings of Christian theological tradition and technological culture—and the surprising resonance between these two. Carlson concludes that the always ongoing work of world creation, tied essentially to human self-creation, implies neither an idol’s closure nor an icon’s transcendence, but the “indiscrete image” whose love makes possible—by keeping open—both the human and its world.
“Is it possible to think of the image apart from discredited notions of representation and of worldview as picture? In his original and penetrating study, Carlson develops a view of the image that he refers to as ‘indiscrete,’ one that does not fall prey to Heidegger’s critique of representation. Against a rich backdrop of traditional theological thought—the work of Augustine, Nicholas of Cusa, and Scotus Eriugena to name a few—Carlson tracks what persists in mystical theology after Heidegger’s deconstruction of ontotheology. Carlson renders the process of creation itself, not in terms of being-towards-death but rather as being-towards-birth. Human incompletion and incomprehension are rethought as the very conditions of a subject’s creative capacity. In words he uses for Joyce, Carlson’s work can be seen as a ‘crossroads of meaning.’”—Edith Wyschogrod, Rice University


“Thomas Carlson challenges the classical borders between the natural and the artificial, the human and the non-human, not naturalistically or reductionistically, but by invoking the core claims of the most classical mystical theology. Here mystical theology and high technology are made to interact in the service of an open-ended, unforeseeable, and risky future, the only sort of future worthy of the name.  Rich with classical erudition, elegantly argued, and avant-garde—in all a stunning achievement.”—John D. Caputo, Syracuse University



The Indiscrete Image is a must-read for all those who long for a theoretical coupling of phenomenological precision and technological sensibility, and who wish to see such reflection pushed to the level of intellectual sophistication—and, finally, mystical unknowing—required for a genuine engagement of the posthuman condition, that is to say, of its generous possibilities for birth and creativity no less than of its increased challenges and potential dangers.”—Hent de Vries, Russ Family Chair in the Humanities, The Johns Hopkins University



“The term ‘indiscrete’ establishes a key topos for Thomas Carlson’s ongoing archaeology of post-secular subjectivity. The question of the subject’s indiscretion for Carlson involves its non-self identity, its difference from itself as a consequence of its creation in the image of an unnamable or unimaginable God. But for Carlson ‘indiscretion’ also implies a methodological approach, one that refuses to support ideologically based claims for the self-sufficiency of discourses and practices such as religion, philosophy, and tele-technology.  Indeed, in his extraordinarily wide learning and sophisticated interdisciplinary practice Carlson not only excavates but also instantiates the power of such ‘indiscrete’ thinking— thinking at the limit, both insisting on the finite and opening onto the infinite.”—Kenneth Reinhard, University of California, Los Angeles



"Scrupulously, and refreshingly, The Indiscrete Image avoids joining the so-called culture wars. . . . What Carlson fashions is something more basic than all that—built from the material of tradition and the worldliest contemporary reflection, he describes a way of thinking about being human in the mess of modernity."—Nathan Schneider, Religion Dispatches


Contents
Acknowledgments
Opening
1                      Of God or a Salamander: The Creative Human as Indiscrete Image
 
2                      “I am”: Technological Modernity, Theological Tradition, and the Human in Question
3                      The Living Image: Infinitude, Unknowing, and Creative Capacity in Mystical Anthropology
 
4                      Of the Indefinite Human: Religion and the Nature of Technological Culture
5                      Here Comes Everybody: Technopoetics and Mystical Tradition in Joyce
6                      To Inherit: The Birth of Possible Worlds
 
Closing
Bibliography
Index
For more information, or to order this book, please visit http://www.press.uchicago.edu
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