Cloth $60.00 ISBN: 9780226415307 Published December 2009
Paper $35.00 ISBN: 9780226415314 Published November 2012

The Great Image Has No Form, or On the Nonobject through Painting

François Jullien

François Jullien

Translated by Jane Marie Todd
288 pages | 7 color plates | 6 x 9 | © 2009
Cloth $60.00 ISBN: 9780226415307 Published December 2009
Paper $35.00 ISBN: 9780226415314 Published November 2012

In premodern China, elite painters used imagery not to mirror the world around them, but to evoke unfathomable experience. Considering their art alongside the philosophical traditions that inform it, The Great Image Has No Form explores the “nonobject”—a notion exemplified by paintings that do not seek to represent observable surroundings.

 

François Jullien argues that this nonobjectifying approach stems from the painters’ deeply held belief in a continuum of existence, in which art is not distinct from reality. Contrasting this perspective with the Western notion of art as separate from the world it represents, Jullien investigates the theoretical conditions that allow us to apprehend, isolate, and abstract objects. His comparative method lays bare the assumptions of Chinese and European thought, revitalizing the questions of what painting is, where it comes from, and what it does. Provocative and intellectually vigorous, this sweeping inquiry introduces new ways of thinking about the relationship of art to the ideas in which it is rooted.

 

Choice Magazine: CHOICE Outstanding Academic Title Awards
Won

View Recent Awards page for more award winning books.
Magazine Littéraire
“This is one of those rare, precious, and necessary books that, once you have completed a first reading, you realize you have only just begun.”
Contents

List of Illustrations

Translator’s Note

Preface

Web of Texts and Corpus

1. Presence-Absence

2. From the Foundation-Fount of Painting

3. Vague-Drab-Indistinct

4. The Great Image Has No Form

5. Theory of the Sketch

6. Empty and Full

7. Not Quitting, Not Sticking

8. Quitting Form to Achieve Resemblance

9. The Spirit of a Landscape

10. On the Truth in Painting

11. Gaze or Contemplation?

12. Peindre n’est pas dépeindre

13. Ink and Brush, Form and Color

14. What Does Painting Write?

15. Image-Phenomenon: Painting Transformation and Life

Gallery of Chinese Paintings

Glossary of Chinese Expressions

Notes

Index
For more information, or to order this book, please visit http://www.press.uchicago.edu
Google preview here

Chicago Manual of Style |

Chicago Blog: Art and Architecture

Events in Art and Architecture

Keep Informed

JOURNALs in Art and Architecture