Fusion of the Worlds
An Ethnography of Possession among the Songhay of Niger
268 pages
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37 halftones, 3 maps, 1 line drawing, frontispiece
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6 x 9
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© 1989
"This ethnography is more like a film than a book, so well does Stoller evoke the color, sight, sounds, and movements of Songhay possession ceremonies."—Choice
"Stoller brilliantly recreates the reality of spirit presence; hosts are what they mediate, and spirits become flesh and blood in the 'fusion' with human existence. . . . An excellent demonstration of the benefits of a new genre of ethnographic writing. It expands our understanding of the harsh world of Songhay mediums and sorcerers."—Bruce Kapferer, American Ethnologist
"A vivid story that will appeal to a wide audience. . . . The voices of individual Songhay are evident and forceful throughout the story. . . . Like a painter, [Stoller] is concerned with the rich surface of things, with depicting images, evoking sensations, and enriching perceptions. . . . He has succeeded admirably." —Michael Lambek, American Anthropologist
"Events (ceremonies and life histories) are evoked in cinematic style. . . . [This book is] approachable and absorbing—it is well written, uncluttered by jargon and elegantly structured."—Richard Fardon, Times Higher Education Supplement
"Compelling, insightful, rich in ethnographic detail, and worthy of becoming a classic in the scholarship on Africa."—Aidan Southall, African Studies Review
"Stoller brilliantly recreates the reality of spirit presence; hosts are what they mediate, and spirits become flesh and blood in the 'fusion' with human existence. . . . An excellent demonstration of the benefits of a new genre of ethnographic writing. It expands our understanding of the harsh world of Songhay mediums and sorcerers."—Bruce Kapferer, American Ethnologist
"A vivid story that will appeal to a wide audience. . . . The voices of individual Songhay are evident and forceful throughout the story. . . . Like a painter, [Stoller] is concerned with the rich surface of things, with depicting images, evoking sensations, and enriching perceptions. . . . He has succeeded admirably." —Michael Lambek, American Anthropologist
"Events (ceremonies and life histories) are evoked in cinematic style. . . . [This book is] approachable and absorbing—it is well written, uncluttered by jargon and elegantly structured."—Richard Fardon, Times Higher Education Supplement
"Compelling, insightful, rich in ethnographic detail, and worthy of becoming a classic in the scholarship on Africa."—Aidan Southall, African Studies Review
Contents
Prologue
Acknowledgments
Personae
1. Looking for Serci
Part One: Organization of the Possession Troupe
2. Zimas from Tillaberi
3. Gusabu's Mediums
4. Praise-Singers from the River
5. Cries of the Violin, Rhythms of the Drum
Part Two: Theaters of Songhay Experience
6. Rain Dance: Rites of the Ancestors
7. Horrific Comedy: The Hauka
Part Three: Possession in a Changing World
8. Sexual Comedy: The Sasale
9. Two Mouths, Two Hearts
Epilogue: Fusion of the Worlds
Notes
Glossary
References
Index
Acknowledgments
Personae
1. Looking for Serci
Part One: Organization of the Possession Troupe
2. Zimas from Tillaberi
3. Gusabu's Mediums
4. Praise-Singers from the River
5. Cries of the Violin, Rhythms of the Drum
Part Two: Theaters of Songhay Experience
6. Rain Dance: Rites of the Ancestors
7. Horrific Comedy: The Hauka
Part Three: Possession in a Changing World
8. Sexual Comedy: The Sasale
9. Two Mouths, Two Hearts
Epilogue: Fusion of the Worlds
Notes
Glossary
References
Index
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