The Earth on Show
Fossils and the Poetics of Popular Science, 1802-1856
Shrewd science-writers, O’Connor shows, marketed spectacular visions of past worlds, piquing the public imagination with glimpses of man-eating mammoths, talking dinosaurs, and sea-dragons spawned by Satan himself. These authors—including men of science, women, clergymen, biblical literalists, hack writers, blackmailers, and prophets—borrowed freely from the Bible, modern poetry, and the urban entertainment industry, creating new forms of literature in order to transport their readers into a vanished and alien past.
In exploring the use of poetry and spectacle in the promotion of popular science, O’Connor proves that geology’s success owed much to the literary techniques of its authors. An innovative blend of the history of science, literary criticism, book history, and visual culture, The Earth on Show rethinks the relationship between science and literature in the nineteenth century.
British Society for Literature and Science: BSLS Book Prize
Won
History of Science Society: HSS-Suzanne J. Levinson Prize
Short Listed/Finalist
Society for Literature, Science, and the Arts: Michelle Kendrick Memorial Book Prize
Won
History of Science Society: Pfizer Award
Short Listed/Finalist
“A brilliant and highly readable book examining the complex relationships between fact and fantasy, science and the imagination, characteristic of the accounts of the Earth’s prehistory that proliferated during the Romantic period. O’Connor’s research has been wide-ranging and innovative. He writes with wit and verve, and the story he has to tell is enthralling.”
“O’Connor brilliantly applies techniques of literary and visual exegesis to the heterogeneous body of early-nineteenth-century writings and images of antediluvian worlds and extinct monsters. The book successfully breaks out of the ‘two cultures’ divide by attending to the poetics of geological texts and rethinking some of the meanings of popular culture in the period. It is written with fluency, intelligence and wit and is based on an impressive body of primary research. A must for students of Romantic and Victorian literature and culture as well as historians of science.”
“In this important, well-illustrated, and enjoyable book, O’Connor takes us on a fascinating tour of the verdant mental landscape of the early nineteenth century, inhabited by strange and remarkable creatures, some well known, such as William Buckland and Charles Lyell, and others hitherto unjustly neglected, such as Hugh Miller. O’Connor’s fresh critical appraisal shows their profound impact on later Victorians from Darwin to Tennyson, right through to the modern day. And as we watch the primal chaos wherein geology, religion, and literature met and fused to create Victorian culture, we come to realize the inadequacy of treating each discipline in isolation.”
List of Abbreviations
Introduction: Science as Literature
Part I: Building the Story
1. Enter the Mammoth
2. William Buckland: Antiquary and Wizard
3. Lizards and Literalists
4. Lyell Steps In
Part II: Staging the Show
5. Marketing Geology
6. Polite Science and Narrative Form
7. Time Travel and Virtual Tourism in the Age of John Martin
8. Literary Monsters
9. Scenes and Legends from Deep Time
10. Hugh Miller and the Geologic Diorama
Epilogue: New Mythologies of the Ancient Earth
Appendix: Currencies, and Sizes of Books
Works Cited
Credits
Index
Earth Sciences: History of Earth Sciences
History: British and Irish History
Literature and Literary Criticism: British and Irish Literature
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