The Collected Essays and Criticism, Volume 4

Modernism with a Vengeance, 1957-1969

Clement Greenberg

The Collected Essays and Criticism, Volume 4
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Clement Greenberg

Edited by John O'Brian
358 pages | 2 halftones | 5-1/2 x 8-1/2 | © 1993
Paper $32.50 ISBN: 9780226306247 Published June 1995
Clement Greenberg is widely recognized as the most influential and articulate champion of modernism during its American ascendency after World War II, the period largely covered by these highly acclaimed volumes of The Collected Essays and Criticism. Volume 3: Affirmations and Refusals presents Greenberg's writings from the period between 1950 and 1956, while Volume 4: Modernism with a Vengeance gathers essays and criticism of the years 1957 to 1969. The 120 works range from little-known pieces originally appearing Vogue and Harper's Bazaar to such celebrated essays as "The Plight of Our Culture" (1953), "Modernist Painting" (1960), and "Post Painterly Abstraction" (1964). Preserved in their original form, these writings allow readers to witness the development and direction of Greenberg's criticism, from his advocacy of abstract expressionism to his enthusiasm for color-field painting.

With the inclusion of critical exchanges between Greenberg and F. R. Leavis, Fairfield Porter, Thomas B. Hess, Herbert Read, Max Kozloff, and Robert Goldwater, these volumes are essential sources in the ongoing debate over modern art. For each volume, John O'Brian has furnished an introduction, a selected bibliography, and a brief summary of events that places the criticism in its artistic and historical context.
Contents
Preface
Acknowledgments

1 Observation

1.1 Two main forms of observation
1.2 Conceptual grasp of the objects of observation
1.3 On the manifest qualities of things
1.4 Our understanding of the process of observation
1.5 Personal versus impersonal observation
1.6 On the relation between observed objects and receiver states

2 Concepts

2.1 Explaining and conceiving
2.2 Examples from Newton
2.3 Questions raised by conceptual innovation
2.4 Are there limits to conceptual innovation in science?
2.4.1 Self-classifying sense impressions
2.4.2 Kant's forms and categories
2.4.3 Carnap's observable predicates
2.5 Conceptual criticism as a catalyzer of scientific change
2.6 Reference without sense
2.6.1 Denoting and connoting
2.6.2 Putnam's attack on intensions
2.6.3 The meaning of natural kind terms
2.6.4 Speaking of quantities
2.6.5 'Mass' in classical and relativistic dynamics
2.6.6 Putnam's progress
2.7 Conceptual schemes
2.8 Appendix: Mathematical structures
2.8.1 Sets
2.8.2 Mappings
2.8.3 Echelon sets over a collection of sets
2.8.4 Structures
2.8.5 Isomorphism
2.8.6 Alternative typifications
2.8.7 Axiomatic set theory
2.8.8 Categories

3 Theories

3.1 The theory of free fall in Galileo's Discorsi
3.2 Mathematical constructs for natural philosophy
3.3 A structuralist view of physical theories
3.4 T-theoretical terms
3.5 To spell the phenomena
3.6 Approximation and idealization
3.7 On relations between theories
3.8 Intertheoretic reduction
3.9 Recapitulation and preview

4 Probability

4.1 Probability and the probable
4.2 Probability spaces
4.3 Chance setups
4.4 Probability as a limiting frequency
4.5 Probability as prevision
4.6 Probability as a physical propensity
4.7 Ideal chances

5 Necessity

5.1 Forms of necessity
5.2 Geometry
5.3 Mathematical physics
5.4 Cause and law

Notes
References
Index
For more information, or to order this book, please visit http://www.press.uchicago.edu
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