Civic Jazz

American Music and Kenneth Burke on the Art of Getting Along

Gregory Clark

Civic Jazz
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Gregory Clark

208 pages | 6 x 9 | © 2015
Paper $25.00 ISBN: 9780226218212 Will Publish February 2015
E-book $25.00 ISBN: 9780226218359 Will Publish February 2015
Jazz is born of collaboration, improvisation, and listening. In much the same way, the American democratic experience is rooted in the interaction of individuals. It is these two seemingly disparate, but ultimately thoroughly American, conceits that Gregory Clark examines in Civic Jazz. Melding Kenneth Burke’s concept of rhetorical communication and jazz music’s aesthetic encounters with a rigorous sort of democracy, this book weaves an innovative argument about how individuals can preserve and improve civic life in a democratic culture.

Jazz music, Clark argues, demonstrates how this aesthetic rhetoric of identification can bind people together through their shared experience in a common project. While such shared experience does not demand agreement—indeed, it often has an air of competition—it does align people in practical effort and purpose. Similarly, Clark shows, Burke considered Americans inhabitants of a persistently rhetorical situation, in which each must choose constantly to identify with some and separate from others. Thought-provoking and path-breaking, Clark’s harmonic mashup of music and rhetoric will appeal to scholars across disciplines as diverse as political science, performance studies, musicology, and literary criticism.
Debra Hawhee, Pennsylvania State University
"Gregory Clark is very good on Burke, explaining concepts at once readable and eminently teachable. He makes Burke not just accessible but attractive to cultural critics…. Clark begins by setting up both Burke and jazz as lively, mobile, aspirational entities and then proceeds to discuss them in an interwoven way that inspires more connections—not just between them, but as in the manner of jazz, from them.”
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