Cloth $25.00 ISBN: 9780226243238 Published June 2004
Paper $25.00 ISBN: 9780226243245 Published September 2006
E-book $7.00 to $25.00 About E-books ISBN: 9780226243276 Published November 2009

Accounting for Taste

The Triumph of French Cuisine

Priscilla Parkhurst Ferguson

 Accounting for Taste
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Read an excerpt on the film Babette's Feast.

Priscilla Parkhurst Ferguson

262 pages | 8 halftones, 13 line drawings | 6 x 9 | © 2004
Cloth $25.00 ISBN: 9780226243238 Published June 2004
Paper $25.00 ISBN: 9780226243245 Published September 2006
E-book $7.00 to $25.00 About E-books ISBN: 9780226243276 Published November 2009
French cuisine is such a staple in our understanding of fine food that we forget the accidents of history that led to its creation. Accounting for Taste brings these "accidents" to the surface, illuminating the magic of French cuisine and the mystery behind its historical development. Priscilla Parkhurst Ferguson explains how the food of France became French cuisine.

This momentous culinary journey begins with Ancien Régime cookbooks and ends with twenty-first-century cooking programs. It takes us from Carême, the "inventor" of modern French cuisine in the early nineteenth century, to top chefs today, such as Daniel Boulud and Jacques Pépin. Not a history of French cuisine, Accounting for Taste focuses on the people, places, and institutions that have made this cuisine what it is today: a privileged vehicle for national identity, a model of cultural ascendancy, and a pivotal site where practice and performance intersect. With sources as various as the novels of Balzac and Proust, interviews with contemporary chefs such as David Bouley and Charlie Trotter, and the film Babette's Feast, Ferguson maps the cultural field that structures culinary affairs in France and then exports its crucial ingredients. What's more, well beyond food, the intricate connections between cuisine and country, between local practice and national identity, illuminate the concept of culture itself.

To Brillat-Savarin's famous dictum—"Animals fill themselves, people eat, intelligent people alone know how to eat"—Priscilla Ferguson adds, and Accounting for Taste shows, how the truly intelligent also know why they eat the way they do.

“Parkhurst Ferguson has her nose in the right place, and an infectious lust for her subject that makes this trawl through the history and cultural significance of French food—from French Revolution to Babette’s Feast via Balzac’s suppers and Proust’s madeleines—a satisfying meal of varied courses.”—Ian Kelly, Times (UK)

"French cuisine may or may not be the world's best, but it certainly is the most widely influential cooking style, and it is unquestionably the standard against which all other cuisines are measured. In this culinary history, Ferguson traces how the cooking of the French nation survived revolutions and changes in fashion to reach the summit of good taste. She contrasts the aesthetic of French dining with the raucous, undisciplined cuisine of America. But she does find America's attitude toward a single meal, Thanksgiving, a revealing exception to the general rule. In a striking epilogue, Ferguson minutely analyzes the film Babette's Feast, showing how French cooking came to stand in the film for art in general. She also delves into the differences between the film and Dinesen's original story, which gave Babette a harder edge than did the movie. Although this work is determinedly academic, those interested in the history of food will discover a wide-ranging, intelligent, and original approach to the preeminent role of French cooking in the history of civilization."



"Parkhurst Ferguson has her nose in the right place, and an infectious lust for her subject that makes this trawl through the history and cultural significance of French food--from French Revolution to Babette's Feast via Balzac's suppers and Proust's madeleines--a satisfying meal of varied courses. Accounting for Taste brims over with both anecdote and insight, not to mention cartoons and illustrations, and is particularly good both on the written formalising of French cooking at the beginning of the 19th century and on France's export of a sort of culinary-pastoral myth of itself. . . . I've done a fair bit of thinking about French food, and eating of it too, but neither will be quite the same again: if it's all a matter of taste, I for one feel mine accounted for."—Ian Kelly, Times (London)



"Appearing in a most timely fashion, given the recent characterization of France by former allies as a nation of "cheese-eating surrender monkeys," Ferguson's book is a most satisfying piece of scholarship on the gastronomical leadership of the French. . . . Drawing on a variety of sources (seventeenth-century cookbooks, nineteenth-century literature, modern food films, interviews with contemporary chefs), Ferguson examines in barthesian fashion the role of language and the growing print culture in making cuisine into such an important cultural marker. . . . That food could play so pivotal a role in the national arena should come as no surprise, given the basic metaphoric and political functions food has historically exercised on language and culture. Food becomes the intersection of physiology, agriculture, economics, sociology, linguistics, politics, and religion. . . . Ferguson's book on food shows a taste for cultural studies at its best."--Linda M. Rouillard, French Review

 

 

 



“Ferguson draws from a number of important primary works to present a history of cooks, cuisine, and culinary pursuits in France.  She looks at the position of food, cuisine, and chefs in the fabric of society through the eyes of these works.  Furthermore, the role of food, cuisine and chefs in France is contrasted with their roles in other cultures; Ferguson offers numerous comparisons with the U.S. A subtheme of the books is the struggle of women to become food professionals in a male-dominated field and to have the food work of women recognized as important.”—Choice

 



"A significant contribution to the history of French food, and a useful place to start thinking about its excellence."



“What is remarkable [about Accounting for Taste] is that along the way Ferguson . . . takes care of weighty sociological concerns: food work as art, craft or women’s work; the rhetorical difference between cooking and 'chefing;' and the complementary duality of tradition and modernity, authenticity and innovation, comfort and excitement, city and country. What is really impressive is that she covers so much theoretical ground without getting bogged down. . . . This is a clearly written, beautifully argued and nicely illustrated text that fruitfully engages with the knottiest questions in food studies.”—Social Forces

 



"Ferguson offers here a fascinatingly different slant on France's perennial love affair with food."


"Ferguson tells a compelling story of culinary identity."


"Ferguson's book on food shows a taste for cultural studies at its best."


Contents
List of Illustrations
Acknowledgments
Prologue: Eating Orders
1. Culinary Configurations
I. Culinary Identities
II. French Cuisines
2. Inventing French Cuisine
I. Between the Old Regime and the New
II. The Cuisine
3. Readings in a Culinary Culture
I. From Cuisine to Gastronomy
II. Food Talk
III. The Gastronomic Field
4. Food Nostalgia
I. In Search of Cuisine Lost
II. Country Cooking
III. Cooking and Chefing
5. Consuming Passions
I. Conspicuous Cuisines
II. Identifying Cuisines
III. Tasting France
Epilogue: Babette’s Feast: A Fable for Culinary France
Appendix A Bibliography—Cookery Works by Date of Original Publication
Appendix B Sample of Cookbooks—Bibliographie de la France, 1811-98
Appendix C Research Notes
Notes
Bibliography
Index
For more information, or to order this book, please visit http://www.press.uchicago.edu
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