Art in Mind
How Contemporary Images Shape Thought
Examining a broad range of works, van Alphen—a renowned art historian and cultural theorist—demonstrates how art serves a socially constructive function by actually experimenting with the parameters of thought. Employing work from artists as diverse as Picasso, Watteau, Francis Bacon, Marlene Dumas, and Matthew Barney, he shows how art confronts its viewers with the "pain points" of cultural experience-genocide, sexuality, diaspora, and transcultural identity-and thereby transforms the ways in which human existence is conceived. Van Alphen analyzes how art visually "thinks" about these difficult cultural issues, tapping into an understudied interpretation of art as the realm where ideas and values are actively created, given form, and mobilized. In this way, van Alphen's book is a work of art in itself as it educates us in a new mode of thought that will forge equally new approaches and responses to the world.
Acknowledgments
Introduction
1 Thinking about Art in History
Part 1: Exposing History
2 The Portrait's Dispersal
3 Shooting Images, Throwing Shadows
4 The Representation of Space and the Space of Representation
Part 2: Rewriting History
5 The Homosocial Gaze
6 Men without Balls
7 Facing Defacement
Part 3: Working Through History
8 Caught by Images
9 Playing the Holocaust
Notes
Bibliography
Index
Art: Art Criticism
Literature and Literary Criticism: General Criticism and Critical Theory
Philosophy: Aesthetics | Ethics
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