Cloth $49.00 ISBN: 9780226436739 Published February 2017
E-book $49.00 About E-books ISBN: 9780226436876 Published February 2017 Also Available From
E-book Retailers: Amazon Kindle Apple iBooks B&N Nook Google Play Kobo Library Vendors: EBSCO

Animal Skins and the Reading Self in Medieval Latin and French Bestiaries

Sarah Kay

Animal Skins and the Reading Self in Medieval Latin and French Bestiaries

Sarah Kay

232 pages | 28 color plates, 28 halftones | 6 x 9 | © 2017
Cloth $49.00 ISBN: 9780226436739 Published February 2017
E-book $49.00 About E-books ISBN: 9780226436876 Published February 2017
Just like we do today, people in medieval times struggled with the concept of human exceptionalism and the significance of other creatures. Nowhere is this more apparent than in the medieval bestiary. Sarah Kay’s exploration of French and Latin bestiaries offers fresh insight into how this prominent genre challenged the boundary between its human readers and other animals.

Bestiaries present accounts of animals whose fantastic behaviors should be imitated or avoided, depending on the given trait. In a highly original argument, Kay suggests that the association of beasts with books is here both literal and material, as nearly all surviving bestiaries are copied on parchment made of animal skin, which also resembles human skin. Using a rich array of examples, she shows how the content and materiality of bestiaries are linked due to the continual references in the texts to the skins of other animals, as well as the ways in which the pages themselves repeatedly—and at times, it would seem, deliberately—intervene in the reading process. A vital contribution to animal studies and medieval manuscript studies, this book sheds new light on the European bestiary and its profound power to shape readers’ own identities.
Contents
List of Illustrations
Conventions Used in This Book


Introduction: Skin, Suture, and Caesura
1 Book, Word, Page
2 Garments of Skin
3 Orifices and the Library
4 Cutting the Skin: Sacrifice, Sovereignty, and the Space of Exception
5 The Riddle of Recognition
6 Skin, the Inner Senses, and the Soul as “Inner Life”
Conclusion: Reading Bestiaries


Appendix
Acknowledgments
Notes
Index
Review Quotes
Choice
“This book represents a substantial achievement in the study of medieval literature in French and Latin, but readers (such as this reviewer) trained in other national literary traditions and with an interest in the developing field of animal studies and contemporary critical theory will find much to admire in this study of bestiaries.”
Sophie Marnette, University of Oxford
“This beautifully illustrated book brilliantly shows how medieval Latin and French bestiaries thoroughly impacted a wide range of readers both via the content of the texts themselves and via their transmission as parchment books. The bestiaries’ clever interplay between their many textual references to skin, and the fact that their pages are themselves instances of skin, helped readers shape their own identity as human and/or animal and reflect on their relationship with other animals.”
David Hult, University of California, Berkeley
Animal Skins and the Reading Self in Medieval Latin and French Bestiaries is quite simply a tour de force. Kay, one of the foremost Occitan and French medievalists in the world, has chosen to write a book about bestiaries, a medieval genre that extends from the early Christian era to the late Middle Ages and early Renaissance. The originality of this study resides in its astute assemblage of an astonishing variety of medieval and modern discourses revolving around these works and, most centrally, the manuscripts that have transmitted them. Never have all of these aspects been brought together so convincingly with respect to a single cultural and literary phenomenon such as the medieval bestiary.”
Karl Steel, Brooklyn College, City University of New York
“I know of no book in animal studies, medieval studies, or manuscript studies that does what Kay’s book does: no such text in recent years—and indeed, recent decades—has visited the archives with anything like her thoroughness. Through Kay’s methods, Animal Skins and the Reading Self in Medieval Latin and French Bestiaries calls on medievalists to do more with manuscripts and attests to the value of hands-on study in an era of mass digitization.”
Susan Crane, Columbia University
Animal Skins and the Reading Self in Medieval Latin and French Bestiaries is an innovative analysis of how medieval bestiaries are apprehended by their readers—visually, intellectually, and emotively. Kay’s focus on skin works brilliantly to link the bestiaries’ literal and figurative content to its material expression on animal parchment. Kay intersects postmodern theory, animal studies, and manuscript studies in a rich array of close readings.”
For more information, or to order this book, please visit http://www.press.uchicago.edu
Google preview here

Chicago Manual of Style |

Chicago Blog: Classics

Events in Classics

Keep Informed

JOURNALs