An Audience of Artists
Dada, Neo-Dada, and the Emergence of Abstract Expressionism
The term Neo-Dada surfaced in New York in the late 1950s and was used to characterize young artists like Robert Rauschenberg and Jasper Johns whose art appeared at odds with the serious emotional and painterly interests of the then-dominant movement, Abstract Expressionism. Neo-Dada quickly became the word of choice in the early 1960s to designate experimental art, including assemblage, performance, Pop art, and nascent forms of minimal and conceptual art.
Association of American Publishers: PROSE Book Award
Honorable Mention
Art History & Criticism
“An Audience of Artists goes a long way toward finally clarifying the networks of contacts both within specific avant-garde circles in America and among them. It helps us understand what Duchamp thought of the painters who came to fame toward the end of his career—and how his reactions to these artists clarified his own artistic identity. Finally, this book fills a gap in the scholarship by placing Abstract Expressionism in relationship to the postwar strategies of Dada, rather than in terms of Surrealism and the unconscious. Craft’s study of Motherwell’s Dada anthology is especially enlightening as a microcosm of all varieties of interchange.”
“An Audience of Artists is elegantly written and deeply pondered, with an analytical sophistication and emotional sensitivity that gets under the skin of cultural history and the forces that change art. Catherine Craft knows how history feels. She presents documentation with an interpretive skill that causes a reader to sense past events as if they were just occurring. Craft’s visual description is no less convincingly vivid. It is exciting to read this innovative study. I found myself rereading it, not only for edification but for the intellectual pleasure of it.”
Acknowledgments
I. Past Time
1. Marcel Duchamp’s Audience of Artists
2. Expressions of Dadaism
3. Layers
4. A Clearer Image
5. An Anti-Dada Attitude
6. Nothing Really New
7. Robert Motherwell: Discovery and Invention
8. Jackson Pollock: Deny, Ignore, Destroy
9. Barnett Newman: The Moment of Communion
IV. The Neo-Dadaists
10. Fellow Painters
11. Standards and Measures
12. The Final End of Art
V. Marcel Duchamp and the Dada Spirit
13. Dada’s Daddy
14. Wayward
Conclusion: Robert Rauschenberg and Cy Twombly at the Stable Gallery
Bibliography
Index
Art: American Art | Art Criticism
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