Cloth $54.00 ISBN: 9780226568188 Published March 2012 Not for sale in India, Nepal, Bhutan, Maldive Islands, Bangladesh, and Sri Lanka
Paper $17.00 ISBN: 9780226568195 Published March 2012 Not for sale in India, Nepal, Bhutan, Maldive Islands, Bangladesh, and Sri Lanka
E-book $7.00 to $17.00 About E-books ISBN: 9780226567921 Published January 2012 Not for sale in India, Nepal, Bhutan, Maldive Islands, Bangladesh, and Sri Lanka

Alive in the Writing

Crafting Ethnography in the Company of Chekhov

Kirin Narayan

Kirin Narayan

168 pages | 1 halftone | 5-1/2 x 8-1/2 | © 2012
Cloth $54.00 ISBN: 9780226568188 Published March 2012 Not for sale in India, Nepal, Bhutan, Maldive Islands, Bangladesh, and Sri Lanka
Paper $17.00 ISBN: 9780226568195 Published March 2012 Not for sale in India, Nepal, Bhutan, Maldive Islands, Bangladesh, and Sri Lanka
E-book $7.00 to $17.00 About E-books ISBN: 9780226567921 Published January 2012 Not for sale in India, Nepal, Bhutan, Maldive Islands, Bangladesh, and Sri Lanka

Anton Chekhov is revered as a boldly innovative playwright and short story writer—but he wrote more than just plays and stories. In Alive in the Writing—an intriguing hybrid of writing guide, biography, and literary analysis—anthropologist and novelist Kirin Narayan introduces readers to some other sides of Chekhov: his pithy, witty observations on the writing process, his life as a writer through accounts by his friends, family, and lovers, and his venture into nonfiction through his book Sakhalin Island. By closely attending to the people who lived under the appalling conditions of the Russian penal colony on Sakhalin, Chekhov showed how empirical details combined with a literary flair can bring readers face to face with distant, different lives, enlarging a sense of human responsibility.

Highlighting this balance of the empirical and the literary, Narayan calls on Chekhov to bring new energy to the writing of ethnography and creative nonfiction alike. Weaving together selections from writing by and about him with examples from other talented ethnographers and memoirists, she offers practical exercises and advice on topics such as story, theory, place, person, voice, and self. A new and lively exploration of ethnography, Alive in the Writing shows how the genre’s attentive, sustained connection with the lives of others can become a powerful tool for any writer.

James Woods | The New Yorker
“[Kirin Narayan] has written a brief and brilliant book about what it means to be an ethnographer, and how to do it responsibly, and better.”

Renato Rosaldo
“Alive in the Writing is simply a delight to read. It walks its talk. It is rich in exercises to develop an ethnographic writer's talents and surprising in its stories of Chekhov as ethnographer. Narayan's marvelous manual for writers (and readers) of ethnography as well as creative nonfiction will be a cornerstone for much-needed courses in writing culture.”--Renato Rosaldo, coauthor of Culture & Truth

Howard S. Becker, author of Writing for Social Scientists

“Narayan skillfully weaves the story of Anton Chekhov’s visit to Sakhalin Island and its literary/ethnographic result, deftly chosen excerpts from contemporary ethnographic writing, and her own experience as anthropologist and teacher to create an insightful and above all helpful set of thoughts, tips, and exercises for anyone writing ethnography themselves. Read it and use it, you won’t find anything better.”

James Clifford
“Wise, lucid, loving—this guidebook of savvy illuminations will instruct and inspire students, teachers, and all those lost and found in the writing process.”--James Clifford, author of On the Edges of Anthropology

 

Michele Morano

"The sustained interaction with Chekhov's life, work, and writing practices is unusual for a book devoted to craft, but it's a very productive and enjoyable through-line. The author weaves together rich examples from anthropological texts, and these examples collaborate beautifully with her inquiry into Chekhov's artistry and with the writing exercises she presents. Elegant in their simplicity and sensibleness, the exercises invite readers to experiment, and they help translate theoretical concepts into concerns that writers of all levels share."

George Marcus
“Balm for the loneliness and torment of the ethnographic writer, this manual by one of the most distinguished offers the user a personal  writer's workshop, at once charming, therapeutic, and practical. The author's mother, her most astute reader, asks: ‘A lot of people have no problem writing. The bigger thing I'd like to know is, do you have any thoughts on how to put all the different little bits together?’ With the help of Anton Chekhov, her muse and obsession, Narayan does.”--George Marcus, author of Ethnography through Thick and Thin

Lila Abu-Lughod
“With a deft touch and an unlikely muse (Anton Chekhov), this consummate writer and reader of ethnographies has turned her deep appreciation of the craft and its promise into a gift for anthropologists. Narayan offers models of and models for ethnographic writing that will inspire us. I am eager to teach the book, but just as eager to learn from it.”--Lila Abu-Lughod, author of Writing Women’s Worlds

 

James Staples | Journal of the Royal Anthropological Institute
“I was skeptical about whether the writings of a nineteenth-century Russian playwright and storyteller, inspiring as they might be, could offer much assistance in the more prosaic task of crafting academic texts. Nevertheless. . . . I decided to read on anyway. I am glad I did. Chekhov, at least in Kirin Narayan’s deft hands, proved to be a surprisingly solid source of advice for the ethnographic writer.”   

Contents
Preface: Alive in the Writing
1  Story and Theory
Taking Stock
First Impressions
Scenes, Summaries, Events
Situation, Story, Theory
Chekhov as Ethnographic Muse

2  Place
The Scene of Writing
Passage to More Than a Place
The Feel of a Place
Others’ Perceptions
Landscapes Transformed
Wide Angles and Close-ups
Painful Places
The Meeting Place of Texts

3  Person
Types and Individuals
The Embodied Person
Lives Told by Things
Inner Biography
Nonhuman Persons
Imagining across Time

4  Voice
How Voices Sound
Key Words, Key Concepts
Transcribing Conversation and Performance
Quotation and Paraphrase
Pauses, Guarded Words, Words in Veiled Forms
Cultivating Your Own Voice

5  Self
Narrating
Explaining
Evoking
Transforming
Reframing
Connecting

Postscript: Writing to Be Alive

Acknowledgment
Notes
Readings and References
Index
For more information, or to order this book, please visit http://www.press.uchicago.edu
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