Camera Obscura, Camera Lucida

Acknowledgements
Preface - Rosalind Krauss
Introduction - Malcolm Turvey
The Logic of an Illusion: Notes on the Genealogy of Intellectual Cinema - Mikhail Iampolski
Narcissistic Machines and Erotic Prostheses - Allen S. Weiss
Loïe Fuller and the Art of Motion: Body, Light, Electricity and the Origins of Cinema - Tom Gunning
Visitings of Awful Promise: The Cinema Seen from Etna - Stuart Liebman
Transfiguring the Urban Gray: László Moholy-Nagys Film Scenario Dynamic of the Metropolis - Edward Dimendberg
Eisensteins Philosophy of Film - Noël Carroll
Knights Moves - Peter Wollen
Hitchcock and Narrative Suspense: Theory and Practice - Richard Allen
From the Air: A Genealogy of Antonionis Modernism - Noa Steimatsky
Dr. Strangelove: or: the Apparatus of Nuclear Warfare - William G. Simon
Collection and Recollection: On Film Itineraries and Museum Walks - Guiliana Bruno
Afterward: A Matter of Time: Analog Versus Digital, the Perennial Question of Shifting Technology and Its Implications for an Experimental Filmmakers Odyssey - Babette Mangolte
Select Bibliography
List of Contributors
Index