Translating Life Studies in Transpositional Aesthetics

Introduction - Shirley Chew and Alistair Stead
Translations in A Midsummer Night's Dream - Stanley Wells
Elizabethan Translation: the Art of the Hermaphrodite - Jonathan Bate
From Stage to Page: Character through Theatre Practices in Romeo and Juliet - Lynette Hunter and Peter Lichtenfels
Translating the Elizabethan Theatre: the Politics of Nostalgia in Olivier's Henry V - Martin Butler
Tempestuous Transformations - David Lindley
'...tinap ober we leck giant': African Celebrations of Shakespeare - Martin Banham and Eldred Durosimi Jones
(Post)colonial Translations in V.S. Naipaul's The Enigma of Arrival - Shirley Chew
Sentimental Translation in Mackenzie and Sterne - David Fairer
Hazlitt's Liber Amoris; or, the New Pygmalion (1823): Conversations and the Statue - John Barnard
Translating Value: Marginal Observations on a Central Question - Geoffrey Hill
Browning's Old Florentine Painters: Italian Art and Mid-Victorian Poetry - Kelvin Everest
Thackeray and the 'Old Masters' - Leonée Ormond
William Morris and Translations of Iceland - Andrew Wawn
Aestheticism in Translation: Henry James, Walter Pater, and Theodor Adorno - Richard Salmon
Helena Faucit: Shakespeare's Victorian Heroine - Gail Marshall
'More a Russian than a Dane': the Usefulness of Hamlet in Russia - Peter Holland
Translation and Self-translation through the Shakespearean Looking-glasses in Joyce's Ulysses - Richard Brown
Self-Translation and the Arts of Transposition in Allan Hollinghurst's The Folding Star - Alistair Stead
Translation in the Theatre I: Directing as Translating - Sir Peter Hall in interview with Mark Batty
Translation in the Theatre II: Translation as Adaptation - John Barton in interview with Mark Batty
Notes on Contributors
Index