Masses for the Sistine Chapel

Acknowledgments   

Illustrations from Cappella Sistina 14 follow

Part One: Introduction

I    Masses for the Sistine Chapel

II    Physical Description of the Manuscript

III    Composers and Repertory

The Composers

The Repertory

Tinctoris and CS 14

IV    Other Observations

Signs of Use

The Manuscript as an Exemplar

V    Date and Provenance

Date

Hypotheses about the Provenance

Two Clues to the Provenance

The Decorated Initials

A New Hypothesis

Part Two:  Concordance and Commentary

VI    List of Sources and Bibliography

A. Prints

B. Manuscripts

C. Literature and Modern Editions

D. Abbreviations of Frequently Cited Works

E. Other Abbreviations

VII    Commentaries on the Individual Compositions

Part Three:  The Edition

VIII    Editorial Principles

The Transcriptions:

  1.        &nbs

Subjects

• Music: General Music

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