Harmony

PART I - THEORETICAL APPLICATION DIVISION
Tonal Systems: Their Origin and Differentiation with Regard to Position and Purity
SECTION I - The Origin of Tonal Systems
I THE NATURAL TONAL SYSTEM (MAJOR) (~~ 1-19)
II THE ARTIFICIAL TONAL SYSTEM (MINOR) (~~ 20-25)
III THE OTHER SYSTEMS (CHURCH MODES) (~~ 26-30)
SECTION - II
The Differentiation of the Tonal System with Regard
to Position and Purity
I TRANSPOSITIONS (~~ 3I-37)
II COMBINATIONS (~~ 38-52)
DIVISION - II
Theory of Intervals and Harmonies
SECTION - I
Theory of Intervals
I THE CONSTRUCTION OF INTERVALS(~~ 53-63)
II THE MEANING OF THE INTERVALS IN MODULATION (~~ 64-71)
III INVERSION OF INTERVALS (~ 72)
IV CLASSIFICATION OF INTERVALS (~~ 73-75)
SECTION - II
Theory of Scale-Steps
I SCALE-STEPS AND HARMONY (~~ 76-83)                       
II SCALE-STEP AND COUNTERPOINT (~~ 84-89)               
III CRITIQUE OF CURRENT METHODS OF TEACHING IN THE LIGHT OF OUR THEORY
OF THE SCALE-STEP (~~ 90-92)    
SECTION - III
Theory of Triads
I CLASSIFICATION OF TRIADS (~~ 93-96)                        
II THE MODULATORY MEANING OF TRIADS (~ 97)                
III INVERSION OF TRIADS (~ 98)                           
SECTION IV
Theory of Seventh-Chords
I NATURE OF THE SEVENTH-CHORD (~ 99)          
(CHAPTERS II-I, ~~ IOO-I06)
SECTION - V
The So-called Dominant Ninth-Chord and Other
Higher Chords
I THE SO-CALLED DOMINANT NINTH-CHORD (~~ 107-II)  
II THE REMAINING NINTH-CHORDS AND HIGHER CHORDS (~~ 112-14)   
PART II - PRACTICAL APPLICATION
DIVISION - I
Theory of the Motion and Succession of Scale-Steps
SECTION - I
On the Psychology of Contents and o9
Step Progression
I SCALE-STEPS AND CONTENTS (~~ II5-I7)                   
II ON DIFFERENT KINDS OF CONCLUSIONS (~~ II8-24)    
III VARIOUS KINDS OF STEP PROGRESSION (~~ I25-28) 
IV  ON FORM ON A LARGER SCALE (~~ I29-32)             
SECTION - II
On the Psychology of Chromatic Alteration
I SCALE-STEPS AND VALUATION THEORY (~~ I33-35)         
II THE PROCESS OF CHROMATIZATION (TONICALIZATION) (~~ 136-45) 
III ALTERATION AS A MODIFICATION OF TONICALIZATION (~~ 146-54) 
IV  RELATIONS BETWEEN CHROMATIC CHANGE AND DIATONIC SYSTEM (~~ I55-62)
SECTION - III
Some Corollaries of the Theory of Scale-Steps
in Free Composition
I ANTICIPATION (~~ 163-64)                                
II SUSPENSION (~~ I65-66)                           
III THE CHANGING NOTE (~~ 167-68)    
IV  THE PEDAL POINT (~~ 169-70)                   
DIVISION - II
Theory of the Progression of Keys
SECTION - I
Theory of Modulation
I MODULATION BY CHANGING THE MEANING OF A SCALE-STEP (~~ 171-76) 
II MODULATION BY CHROMATIC CHANGE (~~ 177-78)                 
III MODULATION BY ENHARMONIC CHANGE (~~ I79-80)               
SECTION - II
The Theory of Modulating and Preludizing (~~ I81-82)
I APPENDIX TO "HARMONY"                                       
II APPENDIX TO INTRODUCTION                                    
WORKS OF HEINRICH SCHENKER                                     
INDEX OF THE MUSIC EXAMPLES                                    
INDEX