Music and Musical Thought in Early India

Preface
Acknowledgments
The Sounds of Sanskrit
Abbreviations
About the Frontspiece
1. Introduction
1.1. Music and Musical Thought in Early India
1.2. The Divisions of Music
1.3. Microcosm and Macrocosm
1.4. Chronology and Sources
2. Thought
2.1. Introduction
2.2. Continuities of Indian Thought
2.3. Systematic Thinking
2.4. Symbolic Thinking
3. Sound
3.1. Introduction
3.2. The Divisions of Sound
3.3. The Theory of Sound
3.4. Sound: A Lexicon
3.5. Casual Sound: Nada
3.6. Akasa, the Medium of Sound
3.7 Sound and the External World
3.8. Three Ancient Conceptions of Musical Sound
4. Chant
4.1. Introduction
4.2. Samavedic Chant
4.2.1. The Role of Memory
4.2.2. Chironomy
4.2.3. Duration and Tempo
4.2.4. Dynamics
4.3. The Phonetic Treatises
4.4. Some Distinctive Features of Sanskrit and Their Musical Consequences
4.5. Narada's Siksa and the Organization of Musical Pitch
4.6. Milieu
5. Theater
5.1. Introduction
5.2. The Natyasastra
5.3. The Preliminary Rituals
5.4. The Incidental Music
5.5 Instruments
5.6. Epilogue
6. Sastra
6.1. Introduction
6.2. Musical Scholarship
6.3. Musical Discourse
6.4. The Language of Musical Speculation
6.5. Notations
7. Pitch
7.1. Introduction
7.2. The Gamut and Its Tuning
7.3. Philosophical Arguments on Struti and Svara
7.4. The Gamut and Its Variables
7.5. Sonance
7.6. The Tanas
7.7. Melodic Choices
7.8. The Concept of Raga
8. Time
8.1. Introduction
8.2. The Idea of Time in Ancient India
8.3. Tala
8.4. Chironomy
8.5. Rhythmic Patterns
8.6. The Concept of State
8.7. Timing
8.8 The Desi Talas
8.9 The Influence of Metrics
8.10. The Rhythms of Indian Music
9. Form
9.1. Introduction
9.2. Formal Archetypes
9.2.1. The Human Body
9.2.2. Organic Growth
9.2.3. Ritual
9.2.4. Creation
9.3. Formal Components
9.4. Formal Tactics
9.4.1. Upohana
9.4.2. Upavartana
9.4.3. Prastara
9.5. Ritual Forms
9.6. Minor Forms
10. Songs
10.1. Introduction
10.2. The Prabandhas
10.3. Song Forms
10.4. A Garland of Songs
10.5. Expansion of the Genre
10.6. Cultural Mapping
10.7. The Theory and Practice of Song
11. Style
11.1. Introduction
11.2. Gender
11.3. Qualifications
11.4. Gunas and Dosas
11.5. The Qualities of Musical Sound
11.6. Style as a Composite
11.7. Levels of Ornamentation
11.8. Rasa
11.9. The Values of Indian Music
12. Afterthoughts
Notes
Glossary of Sanskrit Terms
Bibliography
Index