Ilmatar's Inspirations
Nationalism, Globalization, and the Changing Soundscapes of Finnish Folk Music
Cloth $59.00
ISBN: 9780226704029
Published August 2003
Paper $26.00
ISBN: 9780226704036
Published August 2003
Contents Preface Acknowledgments Part One: Theoretical and Historical Perspectives Chapter 1 - Introduction: Place, Identity, Representation "National Art": Folk Music, Art Music History Continuity and Change Identity and Representation Borrowing from the Traditions of "Others" Chapter 2 - The Folk and the Nation Interest in Folklore before Lönnrot and the Kalevala Lönnrot and the Kalevala The Kalevala, Song Traditions, and the Kantele Myth, Music, Landscape, Identity Part Two - Ethnography: The Transmission, Performance, and Repertoire of New Folk Music Chapter 3 - The Folk Music Revival in Finland: Toward "New Folk Music" Revival, Transformation, Authenticity The Kaustinen Festival and Konsta Jylhä The Role of Folklorists in the Finnish Revival Movement The Role of (Jazz and Rock) Musicians in the Revival Movement Institutionalizing Folk Music during the Revival Chapter 4 - New Folk Music in the Urban Center The Setting: The Sibelius Academy Learning Folk Music at the Sibelius Academy Performing Folk Music in the Urban Center Chapter 5 - Värttinä: Women's Songs from the East An Interview with Sari Kaasinen: Making the Music Gender and Region Reception, Aesthetics, Politics Chapter 6 - New Folk Music in a Rural Context Formal Folk Music Education in the Village of Kaustinen The Kaustinen Festival: "Roots in Finland" 1992 From Five Strings to Electric Models Chapter 7 - A Family of Folk Musicians: The Järveläs The Fiddle in Finland: A Historical Perspective Biography, Locality, "Authenticity" Composing New Folk Music: The Ostrobothnian Example Local Musicians, Global Stages Part Three: Folk Music, World Music Chapter 8 - Musical and Social Identities: Borrowing from the Traditions of "Others" New Folk Music and Karelianism Saami Music in Helsinki Learning from Senegalese Musicians The Finnish Tango Irish Music in Helsinki Appropriation, Originality, Representation Chapter 9 - Global Commodities: The New Folk Music Recording in World Music Markets Sonic Representations: Music in Many Places Small Record Companies in Finland The Finnish Performing Music Promotion Center (ESEK) Music as Product: Questions of Ownership Chapter 10 - Epilogue Musical Spaces Writing History Notes Bibliography Discography Index
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