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Jocelyne Guilbault

Governing Sound

The Cultural Politics of Trinidad's Carnival Musics

352 pages, 25 halftones, 8 musical examples, 1 compact disc  6 x 9  © 2007
Series: Chicago Studies in Ethnomusicology

$63.00

ISBN: 9780226310596   Published September 2007
Not for sale in the Carribean Islands except Puerto Rico

Paper with CD $25.00

ISBN: 9780226310602   Published September 2007
Not for sale in the Carribean Islands except Puerto Rico

CD Track List
Acknowledgments
Introduction

Part 1: Calypso
1. Calypso’s Historical Entanglements
2. Governing the Conduct of Carnival and Calypso
3. Power, Practice, and Competitions
4. Calypsonians Onstage /
5. Independence, Innovation, and Authenticity

Part 2: Calypso’s Musical Offshoots
6. Post-independence, Proliferation, and Permissible Traditions
7. Soca, Nation, and Discrepant Diasporas
8. Cultural Entrepreneurship under Neoliberalism

Coda
References
Selected Discography
Photographs follow page


CD TRACK LIST
1. Sam Manning: “Lieutenant Julian” (1929), oratorical calypso (also called “Sans Humanité”)
2. Unknown singers: “We Goin’ to Cut the Wood” (1956), lavway at funeral wakes (bongo)
3. Machel Montano and Xtatik: “Daddy Axe” (1998), ragga soca
4. Brother Resistance: “Cyar Take Dat” (1996 version), rapso
5. Machel Montano and Xtatik: “You” (2005), soca
6. Machel Montano and Xtatik: “On the Road” (Brancker Version), Peter C. Lewis featuring Machel Montano (2003), soca
7. Rikki Jai: “ Sting She” (2001), chutney soca
8. Rikki Jai: “Hamareh Galeeyah” (2001), chutney version
9. Rikki Jai: “Hamareh Galeeyah” (2001), chutney soca version
Subjects



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