The Architecture of Vision

Contents
Preface to the American edition by Marga Cottino-Jones
Preface to the first edition by Carlo di Carlo

The Gaze and the Story by Giorgio Tinazzi

My Cinema
My Experience
Making a Film is My Way of Life
Actors and Paradoxes
A Talk with Antonioni on His Work
Reflections on the Film Actor
The Event and the Image
Reality and Cinema Verite
Preface to Six Films
My Films
Attempted Suicides: Suicides in the City
The Girlfriends: Loyalty to Pavese 
L’avventura: The Adventures of L’avventura
Red Desert: My Desert
The White Forest 
Blow Up: It was born in London, but it is not an English film
Zabriskie Point: What This Land Says to me
A Conversation about Zabriskie Point 
Chung Kuo. Cina: Is it still possible to film a documentary?
China and the Chinese
The Passenger: The “Passenger” that you didn’t see
Antonioni on the Seven-Minute Shot
The Mystery of Oberwald: Almost a confession

Interviews
A Conversation with Michelangelo Antonioni
An Interview with Michelangelo Antonioni
Apropos of Eroticism
I Am Tired of Today’s Cinema
The World Is outside the Window
Myself and Cinema, Myself and Women
The History of Cinema is Made on Films
Profession Against
Ten Questions
Conversation
Identification of a Filmmaker
Interviews on Films
Story of a Love Affair
The Vanquished
L’avventura
La notte
The Eclipse
Red Desert 
The Night, the Eclipse, the Dawn
The American Desert
Zabriskie Point
The American Experience
A Constant Renewal
Talking of Michelangelo
Antonioni Discusses The Passenger
An in-Depth Search
The Director and Technology
A Film based on Conflict
Identification of a Woman
My Method
Interview

About the Author
Filmography
Selected Bibliography
Index